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ӽ紫ý actors are key to ‘The Sound of Music’ playing Langley stage starting May 31

‘We got along so well and bonded over horror movies and rock music, and now we’re friends’
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ӽ紫ý residents Larissa Dawn (left, as Elsa) and Saxony Eccleston (Maria) star in “The Sound of Music,” staged at Langley’s Theatre in the Country from May 31 to June 17. (Submitted photo: Shan Pauls)

ӽ紫ý actors play adversaries in a production of “The Sound of Music” at .

Saxony Eccleston is governess Maria in the iconic musical, and Larissa Dawn returns to the stage as baroness Elsa. Both fall for Captain von Trapp (Reginald Pillay) in the dinner-theatre show, which starts a run of two-plus weeks on Wednesday, May 31.

The two female leads hadn’t met until rehearsals began earlier this spring.

“We got along so well and bonded over horror movies and rock music, and now we’re friends,” noted Eccleston, a Kwantlen Park Secondary grad who studied theatre at Douglas College.

“The Sound of Music” is her first post-COVID show, while Dawn is in her first play in more than a decade.

Singer in hard-rock band Celestial Ruin, Dawn’s last theatre production was a run with “Tony N’ Tina’s Wedding” (Hoarse Raven Theatre) when she played several roles including her favourite, Tina Vitale.

“I did that for four years and I felt pretty empty after it ended,” Dawn recalled. “It was a huge part of my life for so long, and I was missing that spark.”

She stepped away from theatre, film and TV “cold turkey,” and was busy rocking concert stages in recent years.

She’s a “character” in , too, but that’s different.

“I missed being something entirely different on stage,” Dawn added. “I paid attention to audition boards over the past two years but nothing really grabbed my attention until Theatre in Country posted about ‘Steel Magnolias.’ I grew up watching that movie, and it was something I would have come out of retirement for, and it was my first audition in 11 years.”

She didn’t get a part in that play, but soon scored the Elsa role in the Jacq Ainsworth-directed “The Sound of Music.”

The famous 1965 movie version of the Rodgers & Hammerstein collaboration isn’t exactly kind to the widow character, but it’s different on stage in Langley this week.

“They do Elsa dirty in the movie but she’s not the villain, and I’m very happy that I get to portray her the way she was actually written to be portrayed,” Dawn explained.

“Elsa isn’t a bad woman, she’s just the wrong woman,” she underlined. “Their political views are too different, and they were fond of each other, her and the captain, but it just wasn’t meant to be. I’m looking forward to people seeing the real Elsa, who in 1938 was a strong female character who ran a business.”

Evening performances are Wednesday through Saturday, with dinner at 6:30 p.m. and show at 7:30.

Right now Dawn is juggling a day job in the travel industry and rehearsals for both “The Sound of Music” and the band, along with work on a music video for a Celestial Ruin song, “Lost My Mind,” filmed at her Clayton-area home. Another consideration is a new cover band called One 50 One.

STORY CONTINUES BELOW CELESTIAL RUIN VIDEO

It’s been a “crazy” few weeks for her, but Dawn sounds excited to return to theatre.

“The team is great,” she reported. “Sometimes in the theatre world you don’t get along because of personalities, but this is great. I mean, Saxony, the gal playing Maria, her voice is impeccable and pure, like an angel, just beautiful. She’s amazing, and so are Reg (as the captain) and Paul (Beckett, as Max Detweiler, director of Trapp Family Singers). The four of us have a lot of fun.”

, or call 604-259-9737.

Looking ahead, the two remaining 2023 shows at Theatre in the Country are “The Shawshank Redemption” (October dates) and A Christmas Carol Musical (November/December).

The venue in downtown Langley, on Glover Road, is where Reg and Erin Parks have produced plays for close to seven years. Before that, they started out in rural Whonnock, hence the company’s “country” name.



tom.zillich@surreynowleader.com

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Tom Zillich

About the Author: Tom Zillich

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