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Marianne Faithfull, singer and pop icon, dies at 78

Faithfull known as a symbol of the 鈥60s generation and for her relationship with the Rolling Stones
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FILE - British singer and actress Marianne Faithfull performs on the Miles Davis Hall stage at the 43rd Montreux Jazz Festival, in Montreux, Switzerland, Late Monday, July 13, 2009. ( Jean-Christophe Bott/Keystone via AP, File)

Marianne Faithfull, the British pop star, muse, libertine and old soul who inspired and helped write some of the Rolling Stones鈥 greatest songs and endured as a torch singer and survivor of the lifestyle she once embodied, has died. She was 78.

Faithfull passed away Thursday in London, her music promotion company Republic Media said.

鈥淚t is with deep sadness that we announce the death of the singer, songwriter and actress Marianne Faithfull,鈥 a company spokesperson said in a statement. 鈥淢arianne passed away peacefully in London today, in the company of her loving family. She will be dearly missed.鈥

The blonde, voluptuous Faithfull was a celebrity before turning 17, homeless by her mid-20s and an inspiration to peers and younger artists by her early 30s, when her raw, explicit 鈥淏roken English鈥 album brought her the kinds of reviews the Stones had received. Over the following decades, her admirers would include Beck, Billy Corgan, Nick Cave and PJ Harvey, although her history would always be closely tied to the Stones and to the years she dated Mick Jagger.

鈥淚 am so saddened to hear of the death of Marianne Faithfull,鈥 Jagger wrote on Instagram. 鈥淪he was so much a part of my life for so long. She was a wonderful friend, a beautiful singer and a great actress.鈥

One of the first songs written by Jagger and Keith Richards, the melancholy 鈥淎s Tears Go By,鈥 was her breakthrough hit when released in 1964 and the start of her close and tormented relationship with the band.

She and Jagger began seeing each other in 1966 and became one of the most glamorous and notorious couples of 鈥淪winging London,鈥 with Faithfull once declaring that if LSD 鈥渨asn鈥檛 meant to happen, it wouldn鈥檛 have been invented.鈥 Their rejection of conventional values was defined by a widely publicized 1967 drug bust that left Jagger and Richards briefly in jail and Faithfull identified in tabloids as 鈥淣aked Girl At Stones Party,鈥 a label she would find humiliating and inescapable.

鈥淥ne of the hazards of reforming your evil ways is that some people won鈥檛 let go of their mind鈥檚 eye of you as a wild thing,鈥 she wrote in 鈥淢emories, Dreams and Reflections,鈥 a 2007 memoir.

Jagger and Richards often cited bluesmen and early rock 鈥榥 rollers as their prime influences, but Faithfull and her close friend Anita Pallenberg, Richards鈥 longtime partner, also opened the band to new ways of thinking. Both were worldlier than their boyfriends at the time, and helped transform the Stones鈥 songwriting and personas, whether as muses or as collaborators.

Faithfull helped inspire such Stones songs as the mellow tribute 鈥淪he Smiled Sweetly鈥 and the lustful 鈥淟et鈥檚 Spend the Night Together.鈥 It was Faithful who lent Jagger the Russian novel 鈥漈he Master and Margarita鈥 that was the basis for 鈥淪ympathy for the Devil鈥 and who first recorded and contributed lyrics to the Stones鈥 dire 鈥淪ister Morphine,鈥 notably the opening line, 鈥淗ere I lie in my hospital bed.鈥 Faithfull鈥檚 drug use helped shape such jaded takes on the London rock scene as 鈥淵ou Can鈥檛 Always Get What You Want鈥 and 鈥淟ive with Me,鈥 while her time with Jagger also coincided with one of his most vulnerable love songs, 鈥淲ild Horses.鈥

On her own, the London-born Faithfull specialized at first in genteel ballads, among them 鈥淐ome Stay With Me,鈥 鈥淪ummer Nights鈥 and 鈥淭his Little Bird.鈥 But even in her teens, Faithfull sang in a fragile alto that suggested knowledge and burdens far beyond her years. Her voice would later crack and coarsen, and her life and work after splitting with Jagger in 1970 was one of looking back and carrying on through emotional and physical pain.

She had become addicted to heroin in the late 鈥60s, suffered a miscarriage while seven months pregnant and nearly died from an overdose of sleeping pills. (Jagger, meanwhile, had an affair with Pallenberg and had a baby with actor Marsha Hunt). By the early 鈥70s, Faithfull was living in the streets of London and had lost custody of the son, Nicholas, she had with her estranged husband, the gallery owner John Dunbar. She would also battle anorexia and hepatitis, was treated for breast cancer, broke her hip in a fall and was hospitalized with COVID-19 in 2020.

She shared everything, uncensored, in her memoirs and in her music, notably 鈥淏roken English,鈥 which came out in 1979 and featured her seething 鈥淲hy鈥檇 Ya Do It鈥 and conflicted 鈥淕uilt,鈥 in which she chants 鈥淚 feel guilt, I feel guilt, though I know I鈥檝e done no wrong.鈥 Other albums included 鈥淒angerous Acquaintances,鈥 鈥淪trange Weather,鈥 the live 鈥淏lazing Away鈥 and, most recently, 鈥淪he Walks in Beauty.鈥 Though Faithfull was defined by the 1960s, her sensibility often reached back to the pre-rock world of German cabaret, and she covered numerous songs by Bertolt Brecht and Kurt Weill, including 鈥淏allad of the Soldier鈥檚 Wife鈥 and the 鈥渟ung鈥 ballet 鈥淭he Seven Deadly Sins.鈥

Her interests extended to theater, film and television. Faithfull began acting in the 1960s, including an appearance in Jean-Luc Godard鈥檚 鈥淢ade In U.S.A.鈥 and stage roles in 鈥淗amlet鈥 and Chekhov鈥檚 鈥淭hree Sisters.鈥 She would later appear in such films as 鈥淭he Girl on a Motorcycle,鈥 鈥淢arie Antoinette鈥 and 鈥淭he Girl from Nagasaki,鈥 and the TV series 鈥淎bsolutely Fabulous,鈥 in which she was cast as 鈥 and did not flinch from playing 鈥 God.

Faithful was married three times, and in recent years dated her manager, Francois Ravard. Jagger was her most famous lover, but other men in her life included Richards (鈥渟o great and memorable,鈥 she would say of their one-night stand), David Bowie and the early rock star Gene Pitney. Among the rejected: Bob Dylan, who had been so taken that he was writing a song about her, until Faithfull, pregnant with her son at the time, turned him down.

鈥淲ithout warning, he turned into Rumpelstiltskin,鈥 she wrote in 鈥淔aithfull,鈥 published in 1994. 鈥淗e went over to the typewriter, took a sheaf of papers and began ripping them up into smaller and smaller pieces, after which he let them fall into the wastepaper basket.鈥

Faithfull鈥檚 heritage was one of intrigue, decadence and fallen empires. Her father was a British intelligence officer during World War II who helped saved her mother from the Nazis in Vienna. Faithfull鈥檚 more distant ancestors included various Austro-Hungarian aristocrats and Count Leopold von Sacher-Masoch, a 19th century Austrian whose last name and scandalous novel 鈥淰enus in Furs鈥 helped create the term 鈥渕asochism.鈥

Faithfull鈥檚 parents separated when she was 6 and her childhood would include time in a convent and in what she would call a 鈥渘utty鈥 sex-obsessed commune. By her teens, she was reading Simone de Beauvoir, listening to Odetta and Joan Baez and singing in folk clubs. Through the London art scene, she met Dunbar, who introduced her to Paul McCartney and other celebrities. Dunbar also co-founded the Indica Gallery, where John Lennon would say he met Yoko Ono.

鈥淭he threads of a dozen little scenes were invisibly twining together,鈥 she wrote in her memoir. 鈥淎ll these people 鈥 gallery owners, photographers, pop stars, aristocrats and assorted talented layabouts more or less invented the scene in London, so I guess I was present at the creation.鈥

Her future was set in March 1964, when she attended a recording party for one of London鈥檚 hot young bands, the Rolling Stones. Scorning the idea that she and Jagger immediately fell for each other, she would regard the Stones as 鈥測obby schoolboys鈥 and witnessed Jagger fighting with his then-girlfriend, the model Chrissie Shrimpton, so in tears that her false eyelashes were peeling off.

But she was deeply impressed by one man, Stones manager Andrew 鈥淟oog鈥 Oldham, who looked 鈥減owerful and dangerous and very sure of himself.鈥 A week later, Oldham sent her a telegram, asking her to come to London鈥檚 Olympic Studios. With Jagger and Richards looking on, Oldham played her a demo of a 鈥渧ery primitive鈥 song, 鈥淎s Tears Go By,鈥 which Faithfull needed just two takes to complete.

鈥淚t鈥檚 an absolutely astonishing thing for a boy of 20 to have written,鈥 Faithfull wrote in her 1994 memoir. 鈥淎 song about a woman looking back nostalgically on her life. The uncanny thing is that Mick should have written those words so long before everything happened. It鈥檚 almost as is if our whole relationship was prefigured in that song.鈥





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